Any Sound You Can Imagine: Making Music/Consuming Technology (Music/Culture) Paul Theberge
Publisher: Wesleyan

Any Sound You Can Imagine: Making Music/Consuming Technology (Music Culture) book download. Freemium It is then believed that the artist can use the popularity to leverage and commercialize other assets the music artist can profit from – entrance into film & television, merchandising, concert tickets sales, endorsements, etc. Durham & London: Duke University Press, 2003. 3) Because of points (1) and (2), the competitive price for owning/storing/listening to recorded music in any format is fast becoming $0.00, and the general public is accepting the idea of “Freemium” as the norm. Today the number of different devices that can be used to consume linear BBC content (TV and Radio) is very large and thanks to improved mobile technology and the popularity of headphone listening the environments in which audiences Rather than broadcasting the stereo loudspeaker signals which contain a pre-mixed mixture of dialogue, narration, sound effects, music and background atmospheres, each of these sounds is sent as a separate audio object. Anyhoo, here you go: Louise Meintjes, Sound of Africa!: Making Music Zulu in a South African Studio. Xv + 335 pp., photographs (black and white and colour plates), musical examples, notes, glossary, bibliography, By emphasizing its social, cultural and political--as well as technological--dimensions, Meintjes makes a strong case for the recording studio as an important, even integral, context for music production. Art has become a tool of the machine it has helped to create. Guest post by Alex Hoffman (@alexbhoffman) of sidewinder.fm, a music and tech think tank. Like every other aspect of civilization, music is subject to a It was a revolutionary time, full of explosions: you can hear them in the recordings of Marinetti reciting his poetry; you can see them in Tatlin's designs for enormous skyscrapers. Smartphones have changed nearly every aspect of our lives. There's a tendency for people to sort of assume that the future of culture will be pretty much the same as it is today, but history shows that to be completely false. Anyway, I think music will, as sampling and wave-editing technology get's better, start to incorporate a wider range of sounds, textures, rhythms, and all the rest. Download Any Sound You Can Imagine: Making Music/Consuming Technology (Music Culture) 8, 1993. Instead of the purported 'sonic boom' of digital music, the music industry has been dealing with the exigencies of the recent wave of technological change mostly as an unusually complex manifestation of a familiar set of problems. Making music is pretty much my life, so I can't help but notice and be interested in the evolution of popular music during the last century. Max Weber, in his last book, “The Rational and Social Foundations of Music, ” published in 1921, a year after his death, says, basically, yes.